Slipknot, the self-titled debut
album from metal god Slipknot, is outright one of the most influential albums
ever to come out of the nu metal genre, and possibly even the 90s for that
matter. As the nu metal genre was quite new at the time, and even the idea of
rapping over metal, Slipknot decided to try and add a heavier element to the
mix: screaming and rapping over the verses and clean singing during the chorus
(for the most part). Using the now extremely popular idea Korn used in their
debut album of extremely down-tuned guitars and major use of the first five
frets, Slipknot came out with one of the hardest and heaviest albums ever
released. The mix of rapping over a light beat and then all of a sudden
screaming over a heavy bass and killer drums instantly boosts the heart rates
of anyone listening. This soft to heavy and back again type of metal
revolutionized the entire genre of rock and heavy metal forever.
“you can’t see California without Marlon Brando’s eyes”
a line Taylor got when he heard a homeless man shouting at him as he walked the streets of California and decided to put it into a song. Next, we get to hear Taylor’s clean vocals in the chorus of "Wait and Bleed," arguably the band’s most popular song and achieved some of the highest placements on the Billboard music charts. Next we get what Slipknot dubs “America’s National Anthem,” "Surfacing." "Surfacing" is you would think of when you think “scene emo goth teenager.” With vulgar lyrics filling out the entire song, one of the Slipknot catchphrases is the chorus “fuck it all, fuck this world, fuck everything that you stand for, don’t belong, don’t exist, don’t give a shit, and don’t you ever judge me.” Teenage angst much? Maybe, but who’s complaining? Right after surfacing, Slipknot’s “live” song, "Spit it Out," and my personal favorite song ever, consists of Taylor going from rapping to screaming, to singing, and back to rapping to repeat the process several more times. The reason it is dubbed their “live” song, is because of the influence they had on the metal concert. Right before the breakdown where Taylor shouts “fuck me, I’m all out of enemies,” he tells everyone in the crowd to bend down, while he starts rapping and then screams “jump the fuck up,” and has the entire crowd jump up and continue moshing and jumping to the song.
Listening to any Slipknot album is an experience in itself, but their
debut can honestly be described as a violent audial assault, so be prepared.
Since the first few songs off this album all became synonymous with Slipknot, I
will go a little bit into detail with them and omit the latter songs as the
sound was well established by that point. After a brief electronic intro, you
are instantly thrown into "(sic)," one
of the fastest paced songs on the entire album, where you are introduced to the
heavy bass playing of Paul Gray, and the insanely quick drumming of Joey
Jordison. Not too long after do we hear the first screams of vocalist Corey
Taylor, instantly increasing your heart rate at least threefold. "(sic)" remains
one of Slipknot’s most played songs in live shows, used as the opener in their
earlier shows but became the finale when they began gaining mainstream
popularity. Next, we hear "Eyeless," again a fast paced song with the big line from the chorus being:
“you can’t see California without Marlon Brando’s eyes”
a line Taylor got when he heard a homeless man shouting at him as he walked the streets of California and decided to put it into a song. Next, we get to hear Taylor’s clean vocals in the chorus of "Wait and Bleed," arguably the band’s most popular song and achieved some of the highest placements on the Billboard music charts. Next we get what Slipknot dubs “America’s National Anthem,” "Surfacing." "Surfacing" is you would think of when you think “scene emo goth teenager.” With vulgar lyrics filling out the entire song, one of the Slipknot catchphrases is the chorus “fuck it all, fuck this world, fuck everything that you stand for, don’t belong, don’t exist, don’t give a shit, and don’t you ever judge me.” Teenage angst much? Maybe, but who’s complaining? Right after surfacing, Slipknot’s “live” song, "Spit it Out," and my personal favorite song ever, consists of Taylor going from rapping to screaming, to singing, and back to rapping to repeat the process several more times. The reason it is dubbed their “live” song, is because of the influence they had on the metal concert. Right before the breakdown where Taylor shouts “fuck me, I’m all out of enemies,” he tells everyone in the crowd to bend down, while he starts rapping and then screams “jump the fuck up,” and has the entire crowd jump up and continue moshing and jumping to the song.
An album defined as nu metal, but really carved out its own path by
infusing elements of nu metal, death metal, and hip hop all together, led to
the eventual formation of several other popular rock and metal bands, like Papa
Roach and Disturbed, who cited this album as heavy influences on their music
and debut albums. Slipknot changed
how people looked at nu metal and the entire genre of metal, through an
extremely profane audial assault from start to finish, not taking a single
second to rest and unlike their newer albums, not containing any filler tracks.
If I were to recommend a heavy album to anybody, it would be Slipknot without a doubt.
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